In Italy, many members and supporters of the Italian Communist Party abandoned the organization. "[107] The play, titled The Two-Headed Anomaly and first performed in 2003, also poked fun at the shortness of then prime minister Silvio Berlusconi, had him strapped to a chair and given electric shock treatment and portrayed Vladimir Putin being shot dead by Chechen rebels while visiting Berlusconi's luxury villa in Sicily. Fo was an atheist. All those who hold the reins 'the show within a show', i.e. [67] The Vatican still denounced Mistero buffo as "the most blasphemous show in the history of television". Skorin-Kapov, Jadranka (2016), "The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity," Lexington Books, Mitchell 1999, p. 49; Mitchell's book spells it "Portoaltravaglia". Rame took care of the administration. nécessaire]. Mistero buffo (The Comic Mystery), considered by many to be Fo's foremost work for the stage as well as his most controversial, was first produced in 1969. Fo's grandfather, Giuseppe Rota, was a natural-born storyteller and was also important to the boy's development as a performer and playwright. Interview with Dario Fo. Fo was highly popular during the 1960s, perhaps due to the prevailing feelings of social and political upheaval that marked that decade and provided him with exposure to a much broader audience than any with which he had previously been acquainted. [36][38], The show's eighth episode—which referenced the dangerous conditions faced by workers on building sites—led to a dispute with the programme's producers, and prompted Fo and Rame to walk out on 29 November 1962. ." In the late 1990s and early 2000s, Fo presented several more themes of personal and public interest—including works on justice and The Holy Jester Francis (1999), which suggested St. Francis of Assisi was the first jester ever known. [41] He later recounted this event in the prologue of Johan Padan and the Discovery of the Americas. [48] (See: Strategy of tension.) Nobel Prize Foundation. Accidental Death of an Anarchist was enormously popular in Italy, and attracted large audiences during the four years following its first production. Gazzetta del Popolo (September 11, 1965). [22], He considered his artistic influences to include Beolco, Brecht, Chekhov, De Filippo, Gramsci, Mayakovsky, Molière, Shaw and Strehler. In 1956, he was the coauthor and lead actor of The Duffer. Theatrical Beginnings After the war, Fo continued his studies in Milan at the faculty of architecture of the Politecnico. In spite of the interest of the theme and the considerable artistic value of the text, the play has never been performed publicly. Dario Fo crée le groupe Nuova Scena dans un hangar et compte plus d'abonnés, dès la première saison, que le Piccolo Teatro de Milan ; l'endroit est un lieu de discussions animées. In 1968 Fo and Rame, with the support of the Italian communist party, formed Nuova Scena, a nonprofit theatre organization whose works were aimed at the working class audience; the couple's decision to form the group was prompted by their rejection of the theatrical establishment. Encyclopedia of World Biography. Nevertheless, Fo performed it on stage at the Teatro Odeon in Milan in 1952, which allowed him to develop the gesture and action not required for radio. "[65] La marijuana della mamma è la più bella (Mother's Marijuana is the Best [it]) features a character called Grandpa who mistakenly swallows LSD instead of aspirin and hallucinates a farcical tram journey in his wardrobe ending at a police station. Dario Fo (1926–). [7][8] His work of the 1960s, 1970s and 1980s is peppered with criticisms of assassinations, corruption, organised crime, racism, Roman Catholic theology and war. L'anarchiste serait un de ces personnages de soi-disant « fous » ou « bouffons », que Dario Fo affectionne et qu'il utilise fréquemment dans ses pièces pour les effets comiques absurdes qu'il peut créer avec et pour pouvoir contourner la censure. The series also featured Shakespearean tales with various twists, such as a version of Hamlet in which the titular character kills his father to continue an affair with his mother; Ophelia is portrayed as Hamlet's uncle's transvestite mistress, while Horatio plays the ghost of Hamlet's father dressed up as a sheet and only appears when Hamlet is drunk. Fo said: "I wanted to attack those Italian intellectuals who, with the centre-left and the Socialist Party in the government, had discovered power and its advantages and leapt on it like rats on a piece of cheese. He never completed his curriculum for graduation, but he got a part-time job as an assistant architect and began to draw theater scenes and to exhibit his paintings and drawings. [14] The Swedish Academy praised Fo as a writer "who emulates the jesters of the Middle Ages in scourging authority and upholding the dignity of the downtrodden". NATIONALITY: Italian Although the actual script is improvised and thus changes with each performance, the narrative always involves a depiction of events based upon the gospels of the Bible's New Testament presented in a disparaging manner that accuses the Catholic church, landowners, and the government of persecuting the masses. They raped her, beat her, burnt her with cigarettes, slashed her with razor blades and left her in a park. Quant au fond, le comique, la fantaisie et la satire s'inscrivent dans une perspective éminemment politique, voire militante : la charge sociale aux accents anti-conformistes, anti-capitalistes et anti-cléricaux est toujours présente, entraînant fréquemment la censure, qui se révéla particulièrement féroce en 1962 pour une émission télévisée, Canzonissima, où le couple Fo-Rame est médiatiquement lynché, car on tolérait encore qu'ils fassent rire de petites salles de théâtre, mais on s'effrayait du message corrosif qu'ils pourraient faire passer avec les médias. Le gromelot suscite immanquablement le rire du public et sa complicité. [16], An eldest child, Fo was born at Sangiano, in Lombardy's Province of Varese, near the eastern shore of Lago Maggiore. Woman's Work The works that followed had contemporary value: Fanfani Kidnapped (1975) was written against the background of the political election that year, and Mother's Marijuana Is the Best (1976) deals with the increasing problem of drug use among young working-class Italians. » Dans le discours pour la réception du prix Nobel de littérature qu'il prononce à Stockholm en 1997, il rend un hommage appuyé à, « un extraordinaire homme de théâtre de ma terre, peu connu … même en Italie. [90] The titular character of Johan Padan and the Discovery of the Americas, Fo's response to the 1992 quincentennial celebrations of the first voyage of Christopher Columbus to the Americas, is a Venetian fugitive who escapes from the Spanish Inquisition by joining the explorer and coloniser's fourth voyage. Working on screenplays gave me an apprenticeship as a playwright and I was able to transfer the lessons of the new technical means to the theatre".[35]. Tutti insieme! Among the places in which Fo lived during his early years was Porto Valtravaglia, a glassblowing colony in which, it has been claimed, resided the highest percentage of insane people in Italy. Russia His father was a Railway worker- cum-par time actor and mother had a peasant background. However, it was frequently censored. Dario Fo sort diplômé en 1950 de l'Académie des beaux-arts de Brera de Milan dans la section Architecture. [17] Felice, a socialist, was also an actor, appearing for an amateur theatre company in works by Ibsen among others. Il met en doute la thèse officielle du gouvernement américain concernant les évènements du 11 septembre 2001. MAJOR WORKS: [108] Fo spoke of receiving threats from politicians if he performed it. "Fo, Dario Dario Fo born on the 24th of March 1926 (age 87) he is an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter and political campaigner.much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as the ancient Italian style of the ancient Italian style of commedia dell'arte. Fo and Rame began a lawsuit against the U.S. State Department, pledging any damages received to sacked workers and occupied workplaces, the disabled, families of prisoners and other favorite causes. "[93], Fo and Rame collaborated on the monologue Settimo: ruba un po' meno no. "[101] 20-year-old TV star Ambra Angiolini was alongside him in the car recording an interview, so Fo's initial reaction was captured on film. Chicago Tribune, October 9, 1997; October 10, 1997; October 11, 1997; November 6, 1997. His 1992 play, The Pope and the Witch, which has as its subject a news conference during which the Pope, as described by New York Times contributor Celestine Bohlen, "confuses a children's gathering in St. Peter's Square with an abortion rights rally," incited fury among Catholics worldwide. 2  ». The title refers to the subsequent transplanting of Putin's brain into Berlusconi's head, and the play was performed amid debate over Berlusconi's business and political interests and media censorship, with RAI having barred Italian satirists Sabina Guzzanti and Paolo Rossi from its television channels. You can read on line, download or print a hard copy. [21] He began to paint and became involved in the piccoli teatri (small theatres) movement, in which he began to present improvised monologues. [99] In 1997, he wrote Il diavolo con le zinne (The Devil with Boobs). [28] Also in 1952, Fo performed Cocoricò with Giustino Durano, which featured a 20-minute sketch focusing on the plight of black people in the United States. Fo employs farce to provoke laughter and as a means of presenting political issues. Illegitimate theatre is exceptionally useful for social change, to provoke emotional reactions, discussion, reflection, and allows interaction between performers and … Ma scusa, quello non è il padrone? [12], To the backdrop of the June 1975 Italian elections, Fo wrote Il Fanfani rapito (Fanfani Kidnapped)—a reference to Amintore Fanfani. (Hush! Forced to tend the animals on board, a storm casts him adrift in the ocean on the back of a pig until he reaches the coast and is rescued by the indigenous peoples of the Americas. Most commentators assert that Fo's plays are not as popular with American audiences as they are with European audiences because they are loosely translated into English or performed in Italian, and because they are based upon historical, political, and social events that even if they are known to Americans are not as significant to them as they are to Europeans.

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