She goes to get changed. At a cocktail party hosted by the courtesan Magda, the poet Prunier expounds his theories on love. Following the premiere of a joint new production by director Nicolas Joël at the Royal Opera House in 2002 (starring soprano Angela Gheorghiu as Magda) and at the Théâtre du Capitole de Toulouse, La rondine was seen at the Théâtre du Châtelet, revived at the Royal Opera House in 2005 and 2013, and presented by the San Francisco Opera in 2007,[6] all with Gheorghiu. Like a swallow, she flies back to Rambaldo and her old life, leaving Ruggero behind, devastated. [3] The third version was not heard until 1994 in Turin. mia vita! In Europe since the 1990s stagings have included the première of the third version at Teatro Regio di Torino (1994), as well as performances at La Scala (1994), Leeds Opera North (1994, 2001), Oper Bonn and Ludwigshaven State Opera House (1995), Teatro del Giglio in Lucca (1998), Teatro Filarmonico di Verona (2002), Kansallisooppera, Helsinki (2002, 2003, 2007), Royal Opera House, Covent Garden, London (2002, 2005, 2013), Théâtre du Châtelet, Paris (2005), Opéra de Monte-Carlo (2007), La Fenice in Venice (2008), 2012 Teatro Nacional de Sao Carlos (2012), and Portuguese Symphony Orchestra. She parts company with her patron in order to live with Ruggero on the Riviera. La rondine (The Swallow) is an opera in three acts by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on a libretto by Alfred Maria Willner and Heinz Reichert [de]. This opera also was performed by Des Moines Metro Opera (Indianola, IA) in July 2012, starring Joyce El-Khoury. Luisa Fernanda, Puccini’s La rondine, Verdi’s Rigoletto, and Gounod’s Roméo & Juliette. The originally intended Viennese première was impeded by the outbreak of World War I and the entrance of Italy in the Alliance against Austria-Hungary, hence the Opéra de Monte-Carlo was chosen as the location to present it, with Gilda dalla Rizza and Tito Schipa in the leading roles. Magda refuses to listen. A feature of the music is Puccini's use of modern dance rhythms, such as the tango, to denote the various characters.[2]. Rambaldo suggests they leave together but she refuses and declares her love for Ruggero, apologizing for any pain she is causing Rambaldo by her actions. I pretended to sleep because I wanted to be alone with you. Lisette is ordered by Rambaldo to bring in the guest. Ruggero returns with a letter from his mother, in which she says that if Ruggero's fiancée has all the virtues he has described to her, he will have a blissful marriage. Lisette enters to announce the arrival of a young man – the son of an old school friend of Rambaldo. Company Premiere Performed in an English translation by Robert Hess Performances: June 22, 26, 30 Other Productions: 1997, 2012. At the premiere in Monte Carlo in 1917 the initial reception by the public and press was warm. been working on it full-time without a salary since 2008. The libretto was written by Giuseppe Adami based on the German Die Schwalbe by Alfred Maria Willner and Heinz Reichert. FLORIDA GRAND OPERA: A HISTORY Dr. Arturo di Filippi in Pagliacci Prunier takes offence and Magda orders Lisette to leave. When Magda appears, Lisette begs for her job back, and Magda consents. The 1st version corresponds to the 1st edition of 1917 and was the only edition available before 1994. You will regularly receive information about new scores with free downloads, current prize games and news about our composers. Puccini presents a touching love story about a boy and a girl who fall in love but are not able live happily ever after replete. In spite of these differences in the storyline, the music hardly changed at all. Suddenly nostalgic, Magda recalls her life as a young working girl and happy evenings spent dancing at Bullier's, where she first experienced love (Aria: Ore dolci e divine). Prunier reads Magda's palm and tells her that she is like a swallow: she longs for migration towards the sun and true love. Gavin Plumly, "Puccini's Bittersweet Operetta", San Francisco Opera program, Nov/Dec 2007, pp. In the US, major productions were seen at the Washington National Opera (1998), Los Angeles Opera (2000, 2008), Atlanta Opera (2002), Boston Lyric Opera (2003), New York City Opera (2005), Dallas Opera (2007), San Francisco Opera (2007), Sarasota Opera (2008), the Metropolitan Opera (2008, 2014), and Opera San José (2017). They then set out together. Your help is greatly appreciated! Magda’s friends suggest that he sample the nightlife in a dance club. Magda chides the other guests for mocking him. Prunier demonstrates his skills at palmistry to some of the girls, while Lisette brings in the visitor, Ruggero. Prunier expresses surprise that Magda can be happy away from Paris, and delivers a message to Magda from Rambaldo: he is happy to take her back on any terms. mio sogno! te lo rammenti quando sono entrata la prima volta là? Ruggero, a young man from the provinces, arrives in Paris for the first time. She writes the name on the tablecloth and Ruggero adds his own beneath. Foreign language and English translation are side-by-side, and feature Music Highlight Examples. La Rondine. In the second version (1920), her wish to return to the demimonde is what ultimately triggers her actions. In the third version (1921), Ruggero finds out about Magda’s past through an anonymous letter and leaves her. A complete, newly translated libretto featuring foreign/English translation side-by … The orchestration of the third version was finally completed in authentic Puccinian style by Italian composer Lorenzo Ferrero at the request of Teatro Regio di Torino and subsequently performed there on 22 March 1994. Magda signals to Prunier not to give away her secret and Prunier tells Lisette she is mistaken. As part of a 1958 celebration marking the centenary of Puccini's birth, the Teatro di San Carlo at Naples, Italy, staged a revival of La rondine, at that time one of Puccini's least-performed operas. The matinée performance on 10 January 2009 was broadcast in HD to movie theaters and schools throughout the world. Rambaldo tells her that he cannot prevent her staying with Ruggero. Although irked by his conventional notions of eternal love, Magda falls for him. As he leaves, Ruggero returns, and tells Magda that dawn is breaking. ... •La Rondine (Puccini) •La Fanciulla del West (Puccini) •Salome (Richard Strauss) Watch movie and read libretto and translation of Chi il bel sogno di Doretta, an aria for soprano from the Italian opera La Rondine by Giacomo Antonio Puccini. Magda's guests are charmed by her performance and her long-term protector Rambaldo gives her a pearl necklace. Magda is unable to keep her secret any longer. Prunier takes his leave of Lisette (first arranging a rendezvous with her for that evening) and Lisette resumes her duties as Magda's maid. MIMÌ La mia cuffietta! She and Prunier bicker with each other while waiting for Magda. found To learn how to opt out of cookies, please visit this site. Magda re-enters, disguised as a working girl. She hurries over to a table at which Ruggero is sitting alone. After confirming that it could take the form of a comic opera with no spoken dialogue in the style of Der Rosenkavalier, "only more entertaining and more organic,"[1] he agreed. Ah! She apologizes for intruding and tells him that she will move away as soon as the young men at the bar stop watching her. Puccini revised the work a number of times, particularly the end of the second act, meaning that there are now three distinct versions. Prunier and Lisette enter, arguing about Prunier's desire to turn Lisette into a lady and to educate her. Ruggero tells Magda that he has written to his mother to ask for money to pay their growing debts and for her consent to his marriage to Magda.

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