The “external midi” track region is just midi, so you have to dial in your sounds/presets in the app (much like the soft instruments). On the other hand, there’s a lot crammed into the GUI and, because Moog chose to make this an accurate imitation of the hardware control panel rather than an approximation with larger knobs and switches, it can be a bit awkward to program. FEATURES• Ships with over 160 presets (Hundreds more available in the Minimoog Model D App Store)• Up to 4-notes of polyphony• Easily share presets and audio recordings with friends• Arpeggiator module with note-hold capability• Stereo ping-pong delay effect• Bender time modulation effect• Real-time looping recorder with overdub and immediate sharing• Selectable envelope shapes and triggering behavior• Effortless MIDI CC mapping• Seamlessly backup presets to iCloud• Play mode for easier panel and keyboard interaction• A new take on the classic feedback/overload path SUPPORTS• All 64-bit iOS devices• AUv3 Audio Unit Extensions (Including GarageBand)• Note-per-channel MIDI controllers (MPE)• Ableton Link• Inter-App Audio and Audiobus• 7 and 14-Bit MIDI• MIDI Program Changes• Bluetooth LE MIDI controllers• Share over AirDrop, Mail or other iOS applications, The app is unusable on iOS 14 - the panel graphics and keys are scrambled.
The Model D app is based upon the 2016 Minimoog Model D — the one with the dedicated LFO and additional modulation routings — rather than the original Minimoog, so that’s the synth against which I compared it. Taking full advantage of the iOS platform, the Minimoog Model D App incorporates a number of inspiring sound creation tools and capabilities not present on its analog antecedent. So how do you make a new one stand out from the crowd? How old is your computer? Requires iOS 10.3 or later. For decades, people dreamed of playing a polyphonic Minimoog but, when soft synths made this possible, they found that the results could be too big and too demanding of attention to sound good in a mix. It gave users the ability to design their own sounds, translating imagination into reality. More obvious are slightly different time constants for the dual‑mode ADS(D) contour generators (Classic emulates the Minimoog, while Clean generates a contour that’s closer to the theoretical ideal), so different knob positions are required to obtain the same results. Yes, assuming you set it up the same way as in the video you can control the app with your Mac midi keyboard. It was when using the last of these that I encountered my only operational problems with the app; I felt that the metronome was too loud, overdubbing could create glitches, and the app’s master volume control is disconnected from the looped signal path, meaning that it’s too easy to create overloads. Web site designed & maintained by PB Associates & SOS. My bad...I originally uploaded to the wrong account and moved it here: https://youtu.be/WEcZGgxZAko. Press J to jump to the feed. 2 months ago. You may be able to create an Aggregate Device with your iPad + audio interface, but I haven’t tested it.
(8th gen iPad), Thanks for letting us know, we're working on an update that will fix this. I don't see it selected on the track, so does that mean every audio track that's record enabled will capture the MiniMoog audio? Thanks for the help! Wow, just downloaded the Minimoog. Were I to play both instruments on stage or in the studio, I doubt that many could identify which I was using. This is a shame because, subtle though the effect is, it adds a lot to the character of solos played on Minimoogs, so I hope that it’s added in a future revision. Hmm... very usable unless you want to do naughty things such as using a knob to sweep the filter cutoff frequency as part of live performance, at which point MIDI’s quantisation will result in zippering. That should do it. How did I not know you can use the iPhone as an audio device until now.
Thanks for the info. Logic Studio - A subreddit for tutorials, discussions and links about Apple's Logic Pro X and its related software. It’s hardware-intensive, so it requires a 64-bit iOS device. Optimized for use on all 64-bit iOS devices, anyone can jump in and play with over 160 included presets or lay fingers to the controls and begin exploring vast magical realms of creative potential. What Moog Has To Say About The Minimoog Model D App! Inevitably, playing an app is different from standing behind 20kg of iconic wood and metal, but the differences aren’t as great as you might imagine. Not soon, I fear. There are a number of less obvious differences between the hardware Model D and the app. The iconic Minimoog Model D was released this week in the form of an iOS app, created by Moog Music.
It was immediately apparent that the emulation is indeed damn good, and that the oscillators and filter have the same character as the original, from initial tonality right down to the vital quirk that causes the filter resonance to diminish as you play down the keyboard.
Model D sequenced by Fugue Machine. The first of these is a MIDI‑sync’able arpeggiator that offers four patterns (including random) spanning up to three octaves, with variable Gate length, latching and key hold. Must be something with external MIDI track that doesn't exist in GB. The original Minimoog offered just low‑note priority with single triggering, whereas the 2016 revision offered low, high and last note options with single‑ and multi‑triggering. I was asking for this yesterday. So when are we going to see the Model D on our laptops and desktop computers? All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Then I could switch presets and adjust tones and such in the iPad app, which would save me the hassle of having to re-perform the part in order to record a new audio track. Another hidden difference lies in the available key priorities.
Consequently, I’m not going to belabour the point any further. Moog have chosen only the last of these priorities for the app, which is strictly last‑note priority, although it retains the single‑ and multi‑triggering modes. New functions include the ability to play chords with up to four-note polyphony, an easy-to-use arpeggiator for rhythmic pattern creation, a real time looping recorder with unlimited overdubbing capacity, a tempo-synchronizable stereo ping pong delay module, and the Bender -- a wide-range stereo time modulation effect module. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Firstly, even in Classic contour mode, you can’t cause the filter to open further or the VCA gain to increase by playing rapidly. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Thanks for this, what did you do to route the audio from the device to Logic as well?
But that’s a limitation of MIDI, not something specific to the Model D app. Optimized for use on all 64-bit iOS devices, anyone can jump in and play with over 160 included presets or lay fingers to the controls and begin exploring vast magical realms of creative potential. Omg. Sure, there are differences. Also close out any other apps running on your iPad in case you’re having problems on that end.
But how about being the original manufacturer and recreating a synth that is itself a recreation of the most classic synth of them all? I queried this with Moog’s engineers, who thought that these were good ideas and, within days, a new version appeared that routed aftertouch to the modulation wheel amount. Is there a way to have the midi track in Logic trigger the iPad synth on playback? In fact, my tests suggested that the emulation of the resonance is closer to that of the original Minimoog than it is to that of the 2016 synth. Up to six family members will be able to use this app with Family Sharing enabled. Every control on the Model D app can be assigned a MIDI CC so, with a MIDI controller sporting an adequate selection of knobs and switches, you can control the app as you would the original. The Minimoog’s portability, affordability and accessibility made it the go-to instrument for musicians looking to expand beyond the traditional sounds of the time. The Minimoog Model D app was created by Moog for iPad, iPhone and iPod touch.