The (Magic) Upper Room: Sonic Pleasure Politics in Southern Hip Hop | Sounding Out! SO!
From “listening” to “filling in”: where “La Soeur Écoute” Teaches Us to Listen, Deejaying her Listening: Learning through Life Stories of Human Rights Violations, “This Liquid Dream”: An Interview with Aquaphoneia Composer Navid Navab, Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition, Sounding Out!
Rather than it being the “ground zero” instance of purity or the discovery of some sort of truth or “essence,” I think of authentic voice as fundamentally a social experiment. About Vans: Reads: Dolores Inés Casillas’s ¡Sounds of Belonging! Change ), You are commenting using your Twitter account. “Don’t Be Afraid to Pogo!”: Chicana Hollywood Punks Negotiate ‘h/Home’ After Hardcore Takes L.A. And that heightened emotion moved others as well. : Blog-o-Versary 10.0, Someplaces: Radio Art, Transmission Ecology and Chicago’s Radius, Sounding Out!
Here was r eligion in Instagram: http://bit.ly/2bOHwwn Coconut Clops and Motorcycle Fanfare: What Sounds Medieval? Just as the organist changed tonal centers at the end of her undone performance, so too singing from this Black Pentecostal religious, cultural public zone shifts epistemological centers – knowledge – of what is and is not singing, acceptable, holy. The concept of authenticity is a peculiar problem for music performance because implied within it are questions of who has the right to perform certain sounds and songs, or more pointedly, can any one group or even individual “own” a set of sounds and songs? Post was not sent - check your email addresses! Songs and sounds, from within this zone, are available for a public engagement; the song and singers are both capacities to be filled, emptied and filled again. Surf Team Members: Pushing Play: What Makes the Portable Cassette Recorder Interesting? .New Jersey, to be exact. Reads: Rebecca Tuhus-Dubrow’s Personal Stereo, SO!
https://www.youtube.com/user/VansShoes66. That would imply that Price was both lacking in attention and intentionality. Reads: Tsitsi Jaji’s Africa in Stereo: Modernism, Music, and Pan-African Solidarity, G.L.O.S.S., Hardcore, and the Righteous White Voice, Tape Hiss, Compression, and the Stubborn Materiality of Sonic Diaspora, Gender and the First Sound Films in 1930s Bombay, The Idea (of an Idea) of North (Of the North): Glenn Gould’s Piece at 50, Beyond the Grave: The “Dies Irae” in Video Game Music, Enacting Queer Listening, or When Anzaldúa Laughs, Mouthing the Passion: Richard Rolle’s Soundscapes, “We wanted to tell stories about sound”: Opening Ears Through the “Everything Sounds” Podcast, The Acoustics of Passing: Harriet Beecher Stowe’s Uncle Tom’s Cabin as Supremacist Remix, SO! Reads: Damon Krukowski’s The New Analog, “Oh how so East L.A.”: The Sound of 80s Flashbacks in Chicana Literature, SO! Tuning Into the “Happy Am I” Preacher: Researching the Radio Career of Elder Lightfoot Solomon Michaux | Sounding Out! pushing sound studies into the red since 2009, CFP: The Grain of the Audiobook, Due 7 OCT 2019, CFP: No Pare, Sigue Sigue: Spanish Rap & Sound Studies, Due 10/1/2018, CFP: Amplifying Du Bois at 150, Due 5/1/18, CFP: Gendered Sounds of South Asia, Due 7/15/17, CFP: Sound in the K-12 School, Due 4/15/2017, CFP: Sound, Ability, and Emergence, Due 1/15/17, CFP: Digital Humanities and Listening, Due 4/10/16, CFP: Round Circle of Resonance: José Esteban Muñoz, 9/15/14, ASA/SCMS Call for SO! This does not mean that she insouciantly called up the traditional in order to dismiss it. [Traditional]. Tumblr: http://bit.ly/1Rjvlt7 Vans® authentic collections are sold in 84 countries through a network of subsidiaries, distributors and international offices. Du Bois & Sigmund Freud, Audiotactility & the Medieval Soundscape of Parchment, A Listening Mind: Sound Learning in a Literature Classroom, From Mercury to Mars: Jennifer Hyland Wang’s “After the Martians” from Antenna, “The Happiest Day of the Year”: A Reparative (I Hope) Approach to Record Store Day, Sounding Out! Podcast #52: Listening to the New England Soundscape Project, Reflective Sound Gathering via the New England Soundscape Project, Charles Mingus, Rotary Perception, and the “Fables of Faubus”, Sounding Out!
: On Mégaphone and Montreal’s Noisy Public Sphere, Workshopping the Derry Soundscape: Mobile technologies as Creative Tools for Third Age Adults, (Sound)Walking Through Smithfield Square in Dublin, SO! Podcast #46: Ruptures in the Soundscape of Disneyland, Listening to and through “Need”: Sound Studies and Civic Engagement, Look Who’s Talking, Y’all: Dr. Phil, Vocal Accent and the Politics of Sounding White, TiK ToK: Post-Crash Party Pop, Compulsory Presentism and the 2008 Financial Collapse, Musical Encounters and Acts of Audiencing: Listening Cultures in the American Antebellum, The Musical Flow of Shane Carruth’s Upstream Color, Sounding Out! Amplifies: Eric Leonardson and World Listening Day 18 July 2014, In Search of Politics Itself, or What We Mean When We Say Music (and Music Writing) is “Too Political”, A Medieval Music Box: the Cantigas de Santa María as Sound Technology in the Age of Alfonso X, SO! We bring together your favourite music services and join up listening, watching and sharing to connect your musical world. Going Hard: Bassweight, Sonic Warfare, & the “Brostep” Aesthetic, Sounding Out! Giving, taking, in the same breath, the same sound. Any such performance – its “first” or the many that have come after it – are conduits, bridges. : Listening to the Sportscape, The Sonic Roots of Surveillance Society: Intimacy, Mobility, and Radio, “Welles,” Belles, and Fred Allen’s Sonic Pranks: Making a Radio Auteur Laugh at Himself, The Theremin’s Voice: Amplifying the Inaudibility of Whiteness through an Early Interracial Electronic Music Collaboration, Straight Leanin’: Sounding Black Life at the Intersection of Hip-hop and Big Pharma, “You’re. She did not, it seems to me, desire to sing the song “correctly” and her performance of authenticity was not about the reproducibility of the traditional or “original” version. And I think the theological imperative of modern Pentecostalism – that the Holy Spirit fills the individual is important for performance tradition [this difference is indexed by the divergent questions: “did you see so-and-so catch the spirit” versus “does so-and-so have the Holy Ghost” and “when did you get filled with the Holy Ghost?”]. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Sound Off! Reads: Deborah R. Vargas’s Dissonant Divas in Chicana Music: The Limits of La Onda, SO! Podcast #53: H. Cecilia Suhr’s “From Ancient Soul to Ether”, Norman Corwin: Radio at the Intersection of Art and Commerce, “Don’t Be Self-Conchas”: Listening to Mexican Styled Phonetics in Popular Culture*, They Do Not All Sound Alike: Sampling Kathleen Cleaver, Assata Shakur, and Angela Davis, (Dis)orienting the Bell: Aural Assault from A Game of Thrones to Richard Coer de Lyon, “I didn’t say look; I said listen”: The People’s Microphone, #OWS, and Beyond, SO! merged these filmic elements within the body of a surf film through emotive animations, an undulating soundscape, and a Vans®, a VF Corporation (NYSE: VFC) brand, is the original action sports footwear, apparel and accessories brand. Podcast #11: Recapping SoundBox Project #Tweetasound, Sound and Sanity: Rallying Against “The Voice”, Hello, Americans: Orson Welles, Latin America, and the Sounds of the “Good Neighbor”, DIANE… The Personal Voice Recorder in Twin Peaks, On “The Dream Life of Voice:” A Rerecording of Bernadette Mayer Reading from The Ethics of Sleep, “Sound Studies: A Discipline?”: Sound Signatures Winter School, Amsterdam, January 2014, Goalball: Sport, Silence, and Spectatorship, Troubling Silence: Sonic and Affective Dispossessions of the African Slave Trade. Reads: Shana Redmond’s Anthem: Social Movements and the Sound of Solidarity in the African Diaspora, Pentecostal Song, Sound, and Authentic Voices, SO! As a vessel, we can think of sound, song and subject as conduits for the exchange of ecstasy and ecstatics.
. The notion of the public zone helps us to understand the so-called authentic voice differently. Podcast Episode #9: Listening to São Paulo, Brazil, Listening (Loudly) to Spanish-language Radio, Speaking “Mexican” and the use of “Mock Spanish” in Children’s Books (or Do Not Read Skippyjon Jones), Canonization and the Color of Sound Studies, SO! From psycho tow days to gigantic board varials, he constantly raised the freesurfing bar to new levels. . About Vans Surf: Reads: David Novak’s Japanoise: Music at the Edge of Circulation, Sound Off! That was a ball! Podcast #12: Animal Transcriptions: Listening to the Lab of Ornithology, Vocal Gender and the Gendered Soundscape: At the Intersection of Gender Studies and Sound Studies, Sounding Out! Sounding Out! *Indexed by the Modern Language Association Bibliography. Guest Editors Due 11/21, CFP: Sound and Creative Processes, 1/1/13, CFP: Aural Tricks and Sonic Treats, 9/1/11, OutKast and the Sounds of the Southern Black Church.
Change ). I’d like to expand on Regina Bradley’s recent post, OutKast and the Sounds of the Southern Black Church, and her theorizing of sound and space by remixing, spinning and scratching it, by grounding my reflection in a specific religious tradition in which I am most familiar. Soundtrack by Grinderman, 35007, Brian Jonestown Massacre, Windhand, Goons of Doom, plus original compositions from Black Waves, Thom Pringle, Nathan Fletcher, Shane Fletcher and more.