has played it in different keys, live it’s often in Am, while the original studio version is in B minor.

And the reason I mention the chord C is because you don’t have any accidentals in it. He’d stay in on any hand. He appeared on TV shows and played with many other artists, even with pop/rock bands like U2, and toured all over the world. Playing the notes is not hard, but once again – getting this tone using the bare meat of your fingers is the challenge.

All of them had a major impact on EC’s playing: during Cream you can clearly hear Albert King with his extreme bends, with Derek And The Dominoes you hear the raw aggressive energy of Freddie King, and later on you’ll find a fluid melodic phrasing a la B.B. Let’s see, why. B.B. B. This little spot was advertising a health tonic named Pepticon, the competitor for the tonic Hadacol, which was promoted by Sonny Boy Williamson on KWEM. Freddie loved to play poker with Eric and his band mates: “Duchess Henderson still has her poker hand from one of Freddie’s poker games with me, Bugs Henderson, Eric Clapton, Freddie and a couple of other guys.

and Freddie King (there’s another King, Earl (Johnson) King, but although being an excellent guitar player his influence on other guitar players wasn’t in the same league). He melted rock music elements into the Chicago/Texas mixture Blues. You can use the G minor pentatonic at the 3rd fret. The songs end with a lyrical solo like: It’s played all this way while the song fades out. The Lucille models don’t have sound-holes (f-holes). }(document, "script", "aweber-wjs-k47fotj90")); F Chord On Guitar Easy: Your Complete Guide, E Major Scale Guitar: [Ultimate Guide], Mike Hayes: Guitar Teacher | Jazz Guitarist |Author. His heroes where Sam “Lightnin” Hopkins (credited for the down home thumb-finger picking) and the jump blues saxophonist Louis Jordan, Freddie learned to play Louis’ records note-for-note on his guitar. King and other Blues Greats as their major influence.

And he approached lead playing more vocally than any guitar player I ever heard in my life; he plays exactly like a singer. At the age of 16 he started playing in the clubs and met Howlin’ Wolf and Muddy Waters. Patrick Aloysius from Hell,ca Check out a guy named Byther Smith's version of this song. Use a chord finger set so that the I (Bm) at the 7th fret is the lowest position. This website uses cookies to improve your experience. B.B. St. James: So you’ll hold on a certain note. During the mid-60’s the Blues became more popular among the white American people, with events like Newport Folk Festival, where the original blues artists like Son House played for a white audience. The basic model is the ES-335 (Clapton played one during his Cream era) and the ES 345 and 355 are variations having stereo wiring. He also got the first contacts to the Blues at his Great Aunt Mima’s house. On his 80th anniversary all-star album he also played this song with Eric Clapton. He started touring and got a new contract with Universal Artists in New York. He thanked me, and then I asked him who Billy Myles was. – B.B: King, interview with Adam St. James: from guitar.com, The Thrill Is Gone (original release from the album Completely Well, 1969), “It was such a great groove.

One year later he got divorced from his wife. – B.B. var js, fjs = d.getElementsByTagName(s)[0]; The usual I-IV-V progression for a minor Blues in B would be Bm (I – tonic) – Em (IV – subdominant) and F#m (V – dominant), or the minor 7th of these chords. Everyone immediately escaped the fire, but B. Later when he heard the incident was caused by a lady named Lucille, he named his acoustic Gibson guitar Lucille. White guitar players like Mike Bloomfield (and Eric Clapton in the UK) cited B.B. B.B. He was able to get a job as a sharecropper and tractor driver for Johnson Barrett, joined a singing group (The Famous St. John’s Gospel Singers) where he played the guitar and played the Blues on the streets of Indianola. The album includes interesting liner notes from his daughter, his manager, band mates and even Johnny Copeland (during a gig Freddie went on stage and took Johnny’s guitar to play! – Jack Calmes, Freddie King’s manager, on the CD cover of FK’s “live at the electric ballroom, 1974”. King: I’ll cheat.

In search for a more concise name he called himself Beale Street Blues Boy (Beale Street was the center of Blues in Memphis), later he changed it to Blues Boy King, and finally – B.B.

The Thrill is Gone by B.B. or Freddie King or Buddy Guy, their singing is almost equal to their guitar playing.

[1] Hawkins' recording of the song reached number six in the Billboard R&B chart in 1951. Freddie started his first recordings playing a 1954 Gibson Les Paul Goldtop with P-90 pickups, which inspired Clapton to get one, although it wasn’t produced anymore until EC came up with it. 1959 he met the pianist Sonny Thompson, who worked for the Federal label, a subsidiary of Syd Nathan’s King Records (James Brown, Johnny Guitar Watson, Memphis Slim, John Lee Hooker,…). But the note will blend into it. King.

The jingle was: Pepticon, Pepticon, sure is good – You can get it anywhere in your neighborhood. King: 13th Annual Grammy Awards (1970) – Best R&B Vocal Performance, Male "The Thrill Is Gone, "Grammy Hall of Fame – B.B.

The preacher, Archie Fair, the brother-in-law of Riley’s maternal uncle William Pullinan, played guitar and showed Riley the first chords. Born in Gilmer, Texas on September 3, 1934 his real name was Frederick Christian (not Billy Myles!).

js.src = "https://forms.aweber.com/form/94/862672394.js"; He recorded it with a 12-piece string section and asked B.B. — when you sign up for our FREE newsletter to help improve your guitar playing! But the C still would work, even in B-flat, because it’s the second or the ninth.

Comments: 19. This popular 12 bar blues featuring minor chords is one that every guitar player should have … King, but no relationship) on April 25, 1923, he learned guitar playing on a homemade instrument, a cigar box with strings put on, he also played a one-string barn door guitar in his early days. In 1966 he signed for Stax Records, a big deal for him. B.B. Blind Lemon Jefferson, Lonnie Johnson and other Blues artists turned him to the Blues. Using his bare fingers instead of a pick he could make his guitar crying. Get FREE Guitar Course, Special Reports, with hundreds of Ear Training Tips and Tricks -- A $67 VALUE!

(function(d, s, id) { Instead of V-IV we have VI-V (in a major flavor), resulting in a very strong change. Gmaj7 – F#(#9) – Bm – Bm/F#(#9). However, Stevie Ray Vaughan played heavy strings and was able to copy Albert’s licks by tuning down his Fender Strat a half step.

Necessary cookies are absolutely essential for the website to function properly. King (ABC Bluesway, 1969)", "Grammy Award Results for B.B. F#(#9) (V) is written this way because one # is to raise the F and one to tell that it’s a 7thsharp9th (“Hendrix”) chord. His most famous guitars among a variety of models he played belongs to the ES (electro-Spanish) series. Memorable live versions of the song were included on King's albums Live in Cook County Jail (1971), Bobby Bland and B.B. After two records produced by King Curtis he signed with Shelter records in 1969 and released three albums, all of them sold well. For this style it’s easier to use the major pentatonic and add notes from the minor pentatonic, because Freddie did it this way.

The original recording (it was released several times later, from live concerts as well as duets with artists like Tracy Chapman) contained a string arrangement, which was something new back then. Albert King was a really big guy (6’4″, 250 pounds) called “velvet bulldozer”, he was a bulldozer driver in his early years as a musician. He also has several bends to in-between notes, the signature lick starts identical two times, but ends in different bends. The ad again was a success and Riley became a DJ of his own radio show. His voice already was well trained and powerful from singing in the gospel choir. Like many other Blues artists, he worked hard in a steel mill by day and played his gig at night.

Most licks fall into this pattern and are easy to find out, but hard to play with that tone.

In 1948 he took his wife and moved to Memphis again starting his career as a professional musician. At age of sixteen he went back home to Kilmichael, working on the fields for the (white) Flake Cartledge family (who loaned him the money for his first guitar), visiting school and his gospel choir again until he felt that is was time to change. But I should be able to play the whole chord, which I’m not good at. His concerts at Fillmore are legend, he also played several gigs in Europe. Ready To Take Your Guitar Playing to the Next Level?

; Barry from Sauquoit, Ny On October 18th 1970, B. Sometimes he also played a Firebird.

The album was recorded 1973 in Switzerland at the Montreux Jazz Festival (… the crowd was fantastic. He also used a wound G-string, making it harder to get that tone on a standard string guitar. Completely self-taught, it’s no wonder why he played the guitar completely different than all other guitarists: he played left-handed (like Jimi Hendrix), but used a standard (right handed) guitar without restringing it, just upside down, so the high E-string was on the top. B.B. For the solo guitar we use the first two patterns of the B Blues scale starting at the 7th fret. However, it’s a great song to play and jam to, getting some of Albert often copied Blues licks – and some SRV licks, too. The key is G minor, the main riff is a variation of the Born Under A Bad Sign – riff from above. He got married to Jessie Burnett (from Texas) and made his first recordings for Parrot and El-Bee records. Whenever he would compete on the stage with anyone, it was like High Noon. If you play an F chord, you think in terms of what C would be in the F chord. died on May 14, 2015 at the age of 89 after suffering from diabetes for many years.

His first album was the 1961 release Freddy King Sings, followed one year later by Let’s Hide Away and Dance Away With Freddy King: Strictly Instrumental. In 1951 he released the Lowell Fulson hit Three O’Clock Blues which entered the Billboard R&B record charts. "The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. – Freddie King’s daughter Wanda King, liner notes to Live At The Electric Ballroom.

Starting with acoustic Martin guitars, he played a Fender Telecaster during his recordings for RPM before he got into Gibson guitars. As a matter of fact, his guitar playing has almost more of a vocal range than his voice does—which is unusual, because if you look at B.B. More instrumentals followed, in the beginning 60’s Freddie was among the best selling Blues artist in the USA.

With this licks you can go through the song. This category only includes cookies that ensures basic functionalities and security features of the website.

Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. B.B.

It was a big success and led to steady engagements at the Sixteenth Avenue Grill (West Memphis) and to a ten minute radio spot on the Black owned radio station, WDIA. And when you can get your mind straight and start thinkin’, ‘Oh, they’re back in the tonic key now.’ And then you can put your little stuff there.

When released as a single in December 1969, the song became one of the biggest hits of King's career, appearing in the R&B chart at number three and the Billboard Hot 100 pop chart at number 15[5] and became one of his signature songs. You’ve got to take your time and learn your bag one lick at a time. His first big hit has been covered by many artists, including Cream, EC copied a lot of Albert’s riffs and licks. The Thrill Is Gone is basically a minor 12 bar Blues.

), another Blues giant.

For most of the licks you can use the Blues pattern at the 9th fret. King is a masterpiece of classic blues. Freddie kind of cleaned him out.



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